Tuesday, May 6, 2008

F17M MAKI1N6 TaK3 <

Now that i have my screen writing and script all set and done i will have no more confusion on where the timeline of my movie goes. So far i have covered the certin pro looking shots and screenplay, script writing now i will focus on the sequences of my shots in finaly i will record any off screen scrpit and finaly organize the movie which is commonly called production. In production the movie is created and shot,

The first job of the film editor is to build a rough cut taken from sequences (or scenes) based on individual "takes" (shots). The purpose of the rough cut is to select and order the best shots. The next step is to create a fine cut by getting all the shots to flow smoothly in a seamless story. Trimming, the process of shortening scenes by a few minutes, seconds, or even frames is done during this phase. After the fine cut has been screened and approved by the director and producer, the picture is "locked," meaning no further changes are made. Next, the editor creates a negative cut list (using edge code) or an edit descion list (using timecode) either manually or automatically. These edit lists identify the source and the picture frame of each shot in the fine cut.

  1. In the film workflow, the cut list that describes the film-based answer print is used to cut the original colour negative (OCN) and create a colour timed copy called the colour master positive or interpositve print. For all subsequent steps this effectively becomes the master copy. The next step is to create a one light copy copy called the colour duplicate negative or interactive. It is from this that many copies of the final theatrical release print are made. Copying from the internegative is much simpler than copying from the interpositive directly because it is a one-light process; it also reduces wear-and-tear on the interpositive print.
  2. In the video workflow, the edit decision list that describes the video-based answer print is used to edit the original colour tape (OCT) and create a high quality colour master tape. For all subsequent steps this effectively becomes the master copy. The next step uses a film recorder to read the colour master tape and copy each video frame directly to film to create the final theatrical release print.
Finaly when those basic steps our done the movie can be Distrabuted.

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